This episode is about R. L. Stine's Goosebumps: Night of the Living Dummy. Topics include more bad pranks, terrible parental decisions, and ancillary characters that become main characters.
I’m a bookish nerd on a mission. I’m rereading the books of my ‘90s childhood: The Baby-Sitters Club, Goosebumps, and Fear Street. I’m Amy A. Cowan and this is Rereading My Childhood - The Podcast.
For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I have written, go to RereadingMyChildhood.com. To listen to the official podcast, just visit the website or search for “Rereading My Childhood” in your favorite podcast app. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.
Neon Laser Horizon by Kevin MacLeod
Cultural osmosis is an interesting thing. I have this library of pop culture I can draw from and understand references to even though I haven’t interacted directly with that specific piece of pop culture. I have never seen Die Hard but if someone references Carl Winslow shooting a kid, I understand both of the references. (I have, however, seen every episode of Family Matters — even the bullshit ones that were on CBS. You know, the ones where Steve Urkel goes into space and then comes back to marry Laura — the girl he has been harassing for most of their lives.)
And that was the thing about Night of the Living Dummy — as I was reading it, I knew that Slappy has become the main antagonist in subsequent Dummy books. I spent the whole book noticing that 1) it’s more like nights of the living dummy and 2) Slappy is just as much a threat, if not more so than Mr. Wood. It’s time for a classic Goosebumps tale about twins, dummies, and competition.
It’s more like “nights” of the living dummy than one night.
Kris and Lindy are twins who seem to hate each other. One has short hair, one has a side ponytail. Other than that, they look identical. Even though they look similar, they are still two different people, but their parents also treat them as identical people. They are expected to play together and, as we later see, their parents don’t make an effort to have them distinguish themselves from the other or actively encourage them to partake in identical activities.
Their mother forces both of them to go outside and play, taking Lindy away from the book she was reading. Was it only our generation had parents that actively didn’t want us reading books? My father was different, though. He was a bookworm and I spent most of my childhood reading books and taking weekly trips to the library while other kids had parents who told them to go outside and play sports or whatever. I saw a study that said that Baby Boomers didn’t read as much as Millennials, so it makes sense that they would chastise us for reading too much. One time when I was a kid and I tried to check out a stack of books from the library and my father said that the library only allowed people to check out three at a time. I don’t think he was trying to curb my reading; I was a kid who walked up the counter with fifteen books and my father didn’t think that I could read all of them or keep track of them to return them to the library.
The girls don’t go to the library after they are kicked out. Instead, they go to the house that is under construction next door. In the dumpster, they find a dummy.
Lindy held the dummy up and examined his back, looking for the string to pull to make his mouth move. “I am a real kid!” Lindy made him say. She was speaking in a high-pitched voice through gritted teeth, trying not to move her lips.“Dumb,” Kris said, rolling her eyes.“I am not dumb. You’re dumb!” Lindy made the dummy say in a high, squeaky voice. When she pulled the string in his back, the wooden lips moved up and down, clicking as they moved. She moved her hand up his back and found the control to make his painted eyes shift from side to side.“He’s probably filled with bugs,” Kris said, making a disgusted voice. “Throw him back, Lindy.”“No way,” Lindy inisted, rubbing her hand tenderly over the dummy’s wooden hair. “I’m keeping him.”“She’s keeping me,” she made the dummy say.…“But what are you going to do with this dummy?” Kris demanded.“I don’t know. Maybe I’ll work up an act,” Lindy said thoughtfully, shifting Slappy [the dummy] to her other arm. “I’ll bet I could earn some money with him. You know. Appear at kids’ birthday parties. Put on shows.”“Happy birthday!” she made Slappy declare. “Hand over some money!”Kris didn’t laugh.
Tough crowd. I thought it was pretty funny.
Now we’re back to the cultural osmosis issue. I know that Slappy is the antagonist of the other dummy books and I know that he’s evil. I spent this whole novel wondering when Slappy was going to go all murder dummy. This book threw me for a loop with the introduction of another dummy.
After Lindy announces she was hired to do a ventriloquist act at a birthday party, Kris asks for her own dummy. Her parents come up with a ridiculous suggestion.
“Why don’t you both share Slappy?” Mrs. Powell suggested.“Huh?” Lindy’s mouth dropped open in protest.“You two always share everything,” Mrs. Powell continued. “So why don’t you share Slappy.”“But, Mom-” Lindy whined unhappily.“Excellent idea,” Mr. Powell interrupted. He motioned to Kris. “Try it out. After you share him for a while, I’m sure one of you will lose interest in him. Maybe even both of you.”Kris climbed to her feet and walked over to Lindy. She reached out for the dummy. “I don’t mind sharing,” she said quietly, searching her sister’s eyes for approval of the idea. “Can I hold him for just a second?”Lindy held onto Slappy tightly.Suddenly the dummy’s head tilted back and his mouth opened wide. “Beat it, Kris!” he snarled in a harsh raspy voice. “Get lost, you stupid moron!”Before Kris could back away, Slappy’s wooden hand shot up, and he slapped her hard across the face.
First of all, wow, Slappy’s outburst was harsher than I expected in this child’s chapter book.
Now the biggest issue: HEY, PARENTS, IT’S LINDY’S DUMMY AND IF SHE DOESN’T WANT TO SHARE IT, SHE SHOULDN’T BE FORCED TO SHARE THE DAMN DOLL!!! Lindy is the one who embraced the dummy. Kris thought it was disgusting and creepy. Now Lindy is excelling in her weird, creepy hobby and she should be encouraged — not forced to share. And Kris saying she doesn’t mind sharing is infuriating. It’s like standing by a vending machine, waiting for someone to buy a drink, and then saying, “I don’t mind sharing.” No, it’s not yours to share. And her parents justifying it by remarking, “You two always share everything.” This might be the root of the problems between the girls and it brings me back to an issue I brought up earlier. They aren’t able to cultivate a personality apart from each other.
Lastly, her father’s conjecture that one will lose interest isn’t a good metric for parenting.
We also learn there is going to be a school chorus, featuring Russain songs?
“Yeah. We’re doing all these Russian and Yugoslavian songs,” Kris said. “They’re so sad. They’re all about sheep or something. We don’t really know what they’re about. There’s no translation.”
What the fuck kind of school does Russan sheep dirges for the school chorus? The songs we sang during school recitals were nondenominational holiday songs and “Home Means Nevada.”
Anyway, despite all the rigamarole about sharing Slappy, Mr. Powell goes out to buy a second dummy at a pawn shop to give to Kris. She names him Mr. Wood, which is a way worse name than Slappy. Pretty soon, we get a dose of her stand up with her friend Cody.
Kris turned Mr. Wood to face her. “How are you today?” she asked him.“Pretty good. Knock [on] wood,” she made the dummy say.She waited for Cody to laugh, but he didn’t. “Was that funny?” she asked.“Kinda,” he replied without enthusiasm. “Keep going.”“Okay.” Kris lowered her head so that she was face-to-face with her dummy. “Mr. Wood,” she said, “why are you standing in front of the mirror with your eyes closed?”“Well,” answered the dummy in a high-pitched, squeaky voice. “I wanted to see what I look like when I’m asleep!”
It’s as funny as any ventriloquist act I’ve seen, and I’d rather watch an hour of this than a minute of Jeff Dunham. Still, Kris knows that Lindy is doing better than her.
Kris keeps finding Mr. Wood in weird positions, like wearing her clothes at one point and mid-choke of Slappy. Eventually, he calls Kris a jerk and is later found in the middle of the kitchen with the contents of the refrigerator strewn about with Kris’s jewelry in the food. Kris insists the dummy did it and Mrs. Powell threatens to take away the dummies if anything else goes wrong. Kris throws Mr. Wood into the closet, then she hears a voice, leading to this exchange:
“I wanted to see if I could scare you,” Lindy explained. “It was just a joke. You know. I can’t believe you fell for that voice in the closet just now! I must be a really good ventriloquist!”“But, Lindy-”“You really believed Mr. Wood was alive or something!” Lindy said, laughing, enjoying her victory. “You’re such a nit!”
Lindy did all these pranks after Kris got a dummy also and she did it “as a joke.” Everyone is Stine’s novels are always trying to play pranks on one another, like in Who Killed the Homecoming Queen?. What kind of weird pranks were going on in his childhood and why are they always so mean? Kids don’t still do pranks like this, do they?
Kris finds a piece of paper with some weird words on it and, like a dummy (a different kind of dummy), she reads the words aloud. Then the dummy spews green bile at the student body during an assembly.
This whole time I thought Slappy and Mr. Wood are switched because I knew that Slappy is the focus of future Night of the Living Dummy novels, including a whole series called SlappyWorld (we’ll see if I ever get that far). However, Mr. Wood gets up and starts actually attacking the girls. He wants them for “slaves.” The girls try to bury him, but the next morning he’s in the kitchen, saying they’re his slaves and he attacks their dog.
Mr. Wood meets his end when a steamroller runs over his head, a green gas cloud erupting from beneath the vehicle. The girls have become closer and they enter their room together.
They entered their bedroom to find the window wide open, the curtains slapping wildly, rain pouring in. “Oh no!” Kris hurried across the room to shut the window.As she leaned over the chair to grab the window frame, Slappy reached up and grabbed her arm.“Hey, slave — is that other guy gone?” the dummy asked in a throaty growl. “I thought he’d never leave!”
I spent the whole book wondering when Slappy was going to reveal that he switched places with Mr. Wood and he was the truly evil one. This ending was fun but I do wonder if Slappy was even meant to continue the Dummy legacy, akin to the final scare of Friday the 13th. Jason wasn’t meant to continue on to star in ten movies (he wasn’t the killer of Friday the 13th Part V: A New Beginning so that one doesn’t count (also, fuck a spoiler warning for that one — it’s the worst one and should be skipped (the best one is Friday the 13th Part VI: Jason Lives — it just is))), a television show, a couple of video games, some neat cameos, novels I might read in the future, dolls, board games, and countless other things I have yet to own.
R. L. Stine tends to always use these endings that imply that while the characters have learned something, their problems are never really over, like Stay Out of the Basement! (which I covered). Stine may not have intended Slappy to have more books, but he did and I read this book through that lens. Maybe because I knew about Slappy and I expected the book to go a certain way, I was open to being surprised after Lindy says she did all those “pranks” or, more appropriately, “therapist fodder.”
This was a fun book but I wish I could have read this without any knowledge of Slappy. There’s no way I can take away the knowledge I have about these books. And, honestly, this is a series about looking back — we cannot judge these books without the knowledge we have, no matter how hard we try to maintain cultural relativism and ignorance. However, I don’t think it’s such a bad thing or hurts the integrity of the review. This is something we all have to contend with as we interact with popular culture, especially when we’re interactive with popular culture intended for children through the eyes of an adult.